SABURI
SABURI
Shree Rama Jai Rama Daasharathey Hey Raghu Rama Kalyaana Rama Kodanda Rama Seetha Ram Shree Raghu Rama Shree Rama Jai Ram Shree Ram Jai Ram Sathya Sai Ram (Victory to Lord Rama, Prince of King Dasaratha of Raghu dynasty and weilder of Kodanda bow and bestower of blessings and merits. Victory to Lord Sathya Sai Ram)
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SHRI SAI SATHCHARITHA
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Chapter 37 |
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Chavadi Procession
Baba's dormitory has been already described. One day He slept in the Masjid and on the next, in the Chavadi (a small building containing a room or two near the Masjid). This alternate sleeping in both these buildings went on till Baba's Mahasamadhi. From 10th December 1909 devotees began to offer regular worship to Baba in the Chavadi. This we will now describe with His grace. When the turn of retiring to the Chavadi came, people flocked to the Masjid and made bhajan in the mandap (courtyard) for a few hours. Behind them was a beautiful Ratha (small car), to the right a Tulsi-vrindavan and in front Baba, and between these the devotees fond of bhajan. Men and women who had a liking for the bhajan came in time. Some took Tal, Chiplis and Kartal, Mridang, Khanjiri and Ghol (all musical instruments) in their hands and conducted the bhajan. Sai Baba was the Magnet Who drew all the devotees to Him there. Outside in the open, some trimmed their divatyas, (torches), some decorated the palanquin, some stood with cane-sticks in their hands and uttered cries of victory to Baba. The corner was decorated with buntings. Round about the Masjid, rows of burning lamps shed their light. Baba's horse 'Shyamakarna' stood fully decorated outside. Then Tatya Patil came with a party of men to Baba and asked Him to be ready. Baba sat quiet in his place till Tatya came and helped Him to get up by putting his arm under Baba's arm-pit. Tatya called Baba by the name of Mama. Really their relationship was extremely intimate. Baba wore on his body the usual kafni, took His satka (short stick) under His arm-pit and after taking His chilim (tobacco-pipe) and tobacco and placing a cloth over His shoulder became ready to start. Then Tatya threw a golden-embroidered beautiful Shela (Shawl) over His body. After this Baba, moving a little the bundle of fuel-sticks lying behind with His right toe and then extinguishing the burning lamp with His right hand, started for the Chavadi. Then all sorts of muscial instruments, tashe, band and horns and mridang, gave out their different sounds; and fire-works exhibited their different and various coloured views. Men and women singing Baba's name started walking, making bhajan to the accompaniment of mridang and veena. Some danced with joy and some carried various flags and standards. The Bhaldars announced Baba's name when He came on the steps of the Masjid. On the two sides of Baba stood persons, who held chavaris and others who fanned Baba. On the way were spread folds of cloth on which Baba walked on, being supported by devotees' hands. Tatyaba held the left hand and Mhalasapati the right and Bapusaheb Jog held the chhatra (umbrella) over His head. In this fashion Baba marched on to the Chavadi. The fully decorated red horse, named Shyamakarna led the way and behind him were all the carriers, waiters, musical players and the crowd of devotees. Hari-nama (the name of the Lord) chanted to the accompaniment of music rent the skies as also the name of Sai. In this manner the procession reached the corner when all the persons that joined this party seemed well-pleased and delighted.
On coming to this corner Baba stood facing the Chavadi and shone with a peculiar lustre. It seemed, as if the face of Baba glittered like dawn, or like the glory of the rising sun. Baba stood there with a concentrated mind, facing the north, as if He was calling somebody. All the instruments played their music while Baba moved His right arm up and down for some time. Kakasaheb Dixit at this time came forward with a silver plate containing flowers besmeared with gulal (red powder) and threw them on Baba's body off and on. The musical instruments played their best at this juncture and Baba's face beamed with steady and added radiance and beauty, and all the persons drank this lustre to their hearts' content. Words fail to describe the scene and splendour of this occasion. Some times Mhalasapati began to dance being possessed or obsessed by some deity, but all were surprised to see that Baba's concentration was not in the least disturbed. With a lantern in his hand Tatya Patil walked on Baba's left side and Bhagat Mhalasapati on the right, holding with his hand the hem of Baba's garment. What a beautiful procession and what an expression of devotion! To witness this, men and women, poor and rich, flocked together there. Baba walked very slow. Bhaktas followed on both sides with love and devotion. With joy pervading the whole atmosphere of the place, the procession reached the Chavadi. That scene and those days are gone now. Nobody can see them now or in the future; still remembering and visualising that scene and sight, we can bring solace and comfort to our minds. To be continued.........